The Witch’s Flight is guided by the question; “What does freedom SOUND like?” Taking heed to this, amapiano becomes a portal and a sonic guide to diverse freedom dreams. The Witch’s Flight is the quest for a Black feminist sensibility structured in a series of sonic experimentations that center South Africa and the larger African diaspora.

On this episode we move through afrotech, gqom, 3step, and amapiano under the theme “Amapiano Is Not Dead— It’s Evolving.” Framed as a live sonic essay, the show traces the migration of sound across genres, emphasizing continuity rather than rupture.

The first hour unfolds as a layered DJ mix that begins in atmospheric afrotech, descends into the percussive minimalism of gqom, and re-emerges through amapiano classics—positioned not as nostalgia, but as living, generative forms. The second hour departs from the standard interview format and instead offers a series of reflections on genre, memory, and sonic transformation. Moving between short mixes and commentary, the broadcast considers how amapiano persists through its mutations—particularly within 3step and adjacent electronic forms—challenging narratives of decline. What emerges is a meditation on sound as archive: fluid, embodied, and always in motion.