Canary Sound Werk

Cherry Custard: April is the cruelest month

06.23.25

Many of the guests in cherry custard come into mixing via non-traditional routes (filmmaking, curation, writing, performance, poetry, and so on), so it only felt right to cast a spotlight over those who have inspired host christeeeene’s experimental artistic practice so far. Not only those that use mixes within their visual practice, but those who use words to inform their mixing. The reader, the writer, the artist, the activist, the poet and performer; they’re all here and they’re all cherries.

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The Garbage & the Flowers are a New Zealand/Australian musical group, 1990 – present day. Their classic songs come basted in a roux of folk rock and noise.

Their landmark double LP ‘Eyes Rind As If Beggars’ was released in 1997, followed by ‘Stoned Rehearsal’, 2008, and ‘Cinnamon Sea’ in 2022. Their latest EP is ‘In Valhalla’ on Garden Seat Records. They are represented by Fire Records of London. Selected by Yuri Frusin and Helen Johnstone of The Garbage & the Flowers.

Presented in audio vérité by Amelia Berry with help from Dan Lewis.


Tracklist:


Gene Clark – For a Spanish Guitar
The Flying Burrito Brothers – I Shall Be Released
The Beatles – Misery
The Byrds – I Come And Stand At Every Door (lyrics by poet Nazim Hikmet)
The Rip – The Holy Room
Ben Wright Smith – Dead Man
Small World Experience – Publicity
The Byrds – Bells Of Rhymeny (live at the Big TNT show 1965)
Look Blue Go Purple – Circumspect Penelope
Panel of Judges – Dream Satisfaction
Simple Minds – Sons and Fascination
Rob Base & DJ EZ Rock – It Takes Two
Schooly D – Gangster Boogie
A Tribe Called Quest – Midnight
Béla Bartók – Mikrokosmos 97: Notturno
T.S. Eliot reads ‘The Wasteland’ (excerpt)