Join Trovarsi each month on dublab Radio for her show Signal! She'll be joined by a featured guest artist who will share a live performance, followed by a short breakdown of their setup. They'll talk about their musical background & influences, discuss their path to becoming a live artist, and hear about the message they hope to convey through their music.

UN/SER is a modular techno live artist based between Poland and Berlin. Active in music for over five years, he initially worked primarily in Ableton Live, releasing three self-produced records on his own label, AMNE, before gradually shifting away from track-based production.

Around September 2024, UN/SER transitioned to a fully live, hardware-focused practice centered around Eurorack modular systems. His current work is built around real-time improvisation, treating the modular setup as a single evolving instrument rather than a collection of independent modules. Performances are constructed live, without backing tracks or pre-written structures, allowing each set to develop organically through repetition, gradual modulation, and sustained sonic pressure.

Stylistically, un/ser operates in the space between hypnotic, industrial, and stripped-back techno. The music is designed to be functional on a dancefloor while remaining demanding in its pacing and density, favoring long-form development over immediate payoff. Subtle shifts in rhythm, texture, and dynamics drive the narrative, creating immersive sets that reward focused listening as much as physical engagement.

Musically, UN/SER’s background lies in metal and rap. Early influences include Tool and Nine Inch Nails, alongside modern progressive and technical artists such as Plini, Animals as Leaders, and Night Verses. Having started out as a drummer and guitarist, a strong emphasis on rhythm, physicality, and dynamic control continues to shape his approach to electronic performance.

UN/SER's work aligns with a lineage of European live techno that prioritizes process over product, restraint over spectacle, and depth over trend-driven aesthetics. His practice remains performance-first, with live sets functioning as snapshots of an ongoing exploration rather than fixed compositions.